Passion in the Pit: Steven White La traviata - 'Sempre libera' (Verdi; 1 day ago   04:26

San Diego Opera is staging a production of Verdi’s Rigoletto. But while you might be familiar with the classic tale of love and revenge taking place on stage you may not know what is going on in the orchestra pit below. So KPBS arts reporter Beth Accomando has this profile of what a conductor’s job entails.

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La traviata - 'Sempre libera' (Verdi; Passion in the Pit: Steven White 1 day ago   03:46

Renée Fleming as Violetta Valéry sings Sempre Libera (Always Free) from Verdi's opera La traviata. Violeta debates whether she loves Alfredo (Joseph Calleja) - heard here offstage - but concludes she needs to be free. Find out more at

‘A toast to the pleasures of life!’ – so sings Violetta, her new admirer Alfredo and her party guests in the opening scene of Giuseppe Verdi’s La traviata. But beneath the surface glamour of Violetta’s Parisian life run darker undercurrents: her doomed love for Alfredo and the tensions the lovers encounter when they break society’s conventions. La traviata, based on Alexandre Dumas fils’s play La Dame aux camélias, is one of Verdi’s most popular operas, combining drama, profound emotion and wonderful melodies.

Richard Eyre’s classic production conveys the indulgent social whirl of 19th-century Paris. It provides a vivid setting for Verdi’s tuneful score, which includes such favourites as Violetta’s introspective ‘Ah fors’è lui’ and ecstatic ‘Sempre libera’; the duet ‘Pura siccome un angelo’ as Giorgio Germont begs Violetta to leave Alfredo; and ‘Parigi, o cara’, in which the lovers poignantly imagine a life that will never be theirs. The role of Violetta (the ‘fallen woman’ of the title) is one of Verdi’s most complex and enduring characters.